Register, Dialect, Convolution, and ‘Crosstalk’: Reflections on ‘ … the Zones of Influence and Hybridity Between Electroacoustic, Acousmatique Music, Techno, and IDM’.
This paper explores the hybridisation of musical elements, particularly between those that foreground the use of technology across popular and art music. In its original form, the paper was presented to a conference Embracing rhythm … welcoming abstraction ( … on the zones of influence and hybridity...
| Publicado en: | Contemporary Music Review Vol. 35; no. 2; pp. 166 - 184 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Apr2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118370230&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 118370230 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Apr2016 vid: 35 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 118370230 10.1080/07494467.2016.1221631 ppf: 166 ppct: 18 formats: fmt: – @attributes: type: T – @attributes: type: P size: 152KB tig: atl: Register, Dialect, Convolution, and ‘Crosstalk’: Reflections on ‘ … the Zones of Influence and Hybridity Between Electroacoustic, Acousmatique Music, Techno, and IDM’. aug: au: Vaughan, Mike su: Intelligent dance music Electronic dance music Music & philosophy Bergson, Henri, 1859-1941 Deleuze, Gilles, 1925-1995 Sensory perception Movement (Philosophy) sug: subj: Intelligent dance music Electronic dance music Music & philosophy Bergson, Henri, 1859-1941 Deleuze, Gilles, 1925-1995 Sensory perception Movement (Philosophy) keyword: Electroacoustic Music Electronic Dance Music Hybridisation Hybridity Music Technology Musical Languages ab: This paper explores the hybridisation of musical elements, particularly between those that foreground the use of technology across popular and art music. In its original form, the paper was presented to a conference Embracing rhythm … welcoming abstraction ( … on the zones of influence and hybridity between electroacoustic, acousmatique music, techno, and IDM) held at Salford University in November 2013, and was an intended overview of the topic. In this context, ‘ … zones of influence and hybridity’ between different repertoires that are generally understood to occupy different registral strata are viewed primarily as a form of environmental adaptation, expressed through the evolution of musical language. The paper also considers the motivations for attempting to reconcile, through creative practice, the conflicting meanings and aesthetic frameworks signified by different iconic musical materials and idiomatic compositional procedures. In examining these motivations and practices it draws on Barthes’ essay musica practica, to explore the significance to the creative artist of the network of relationships that link the different musics we compose or produce to the music that we might listen to or perform, or have encountered during academic training. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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