Entoptic Phenomena in Audio : Categories of Psychedelic Electroacoustic Composition.
Altered states of consciousness (ASCs) are perceptual states, such as dream, delirium, or hallucination that fall beyond a commonly accepted normal waking consciousness. This article discussesEntoptic Phenomena in Audio, a collection of four electroacoustic compositions that are based upon the autho...
| Publicado en: | Contemporary Music Review Vol. 35; no. 2; pp. 202 - 224 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Apr2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118370232&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 118370232 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Apr2016 vid: 35 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 118370232 10.1080/07494467.2016.1221633 ppf: 202 ppct: 22 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.2MB tig: atl: Entoptic Phenomena in Audio : Categories of Psychedelic Electroacoustic Composition. aug: au: Weinel, Jonathan su: Computer music Altered states of consciousness Electronic dance music Musical composition Musical form sug: subj: Computer music Altered states of consciousness Electronic dance music Musical composition Musical form keyword: Altered States of Consciousness Electroacoustic Music Electronic Dance Music Vinyl ab: Altered states of consciousness (ASCs) are perceptual states, such as dream, delirium, or hallucination that fall beyond a commonly accepted normal waking consciousness. This article discussesEntoptic Phenomena in Audio, a collection of four electroacoustic compositions that are based upon the author’s research regarding these states. The compositional process utilised involves consideration of the typical features and structure of hallucinatory experiences, as described by participants in psychological studies and other available literature. Typical features of hallucination are then used to indicate the design of corresponding sonic materials, and the structure of the composition. This compositional process is described in detail, leading to a generalised structural approach for creating electroacoustic compositions based on ASCs, with several possible variations. In addition, the decision to present the works on 12″ vinyl is also discussed, as are the ways in which this project interfaces with electronic dance music culture. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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