Examining the Effects of Experimental/Academic Electroacoustic and Popular Electronic Musics on the Evolution and Development of Human–Computer Interaction in Music.
This article focuses on how the development of human–computer interaction in music has been aided and influenced by both experimental/academic electroacoustic art music and popular electronic music. These two genres have impacted upon this ever-changing process of evolution in different ways, but ha...
| Published in: | Contemporary Music Review Vol. 35; no. 2; pp. 224 - 242 |
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| Format: | Article |
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Taylor & Francis Ltd
Apr2016
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118370233&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 118370233 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Apr2016 vid: 35 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 118370233 10.1080/07494467.2016.1221634 ppf: 224 ppct: 18 formats: fmt: – @attributes: type: T – @attributes: type: P size: 223KB tig: atl: Examining the Effects of Experimental/Academic Electroacoustic and Popular Electronic Musics on the Evolution and Development of Human–Computer Interaction in Music. aug: au: Meikle, George su: Human-computer interaction Human-machine relationship User interfaces Graphical user interfaces Computer music Computer composition sug: subj: Human-computer interaction Human-machine relationship User interfaces Graphical user interfaces Computer music Computer composition keyword: Brain–Computer Interfacing Brain–Computer Interfacing Digital Audio Workstation Graphical User Interface Human–Computer Interaction Human–Computer Interaction Interactive Computer Music System User-Interface ab: This article focuses on how the development of human–computer interaction in music has been aided and influenced by both experimental/academic electroacoustic art music and popular electronic music. These two genres have impacted upon this ever-changing process of evolution in different ways, but have together been paramount to the establishment of interactivity in music as we understand it today; which is itself having wide-ranging implications upon the modern-day musical landscape as a whole—both in the way that we, as listeners and audience members, purchase and consume music as well as conceptualise and think about it. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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