LOS CAUTIVOS DE ARGEL DE LOPE DE VEGA Y LA EXPULSIÓN DE LOS MORISCOS.

This article presents a literary criticism for the play "Los cautivos de Argel," by Spanish playwright Lope de Vega. The author examines the case of Abdela Alicaxet, a Spanish Muslim who was tried and exiled by the Spanish Inquisition in 1576, which served as a main influence of the work. The repres...

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Publicado en:Hispanic Review Vol. 84; no. 4; pp. 361 - 380
Autor principal: Ohanna, Natalio
Formato: Literary Criticism
Publicado: University of Pennsylvania Press Autumn2016
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au: Ohanna, Natalio
        affil: Western Michigan University
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        Los cautivos de Argel (Play)
        Vega, Lope de, 1562-1635
        Expulsion of Moriscos from Spain, 1609-1614
        Spanish Inquisition, 1478-1820
        Alicaxet, Abdela
        Artistic influence
        Spanish drama, Classical Period, 1500-1700
        Drama criticism
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          Los cautivos de Argel (Play)
          Vega, Lope de, 1562-1635
          Expulsion of Moriscos from Spain, 1609-1614
          Spanish Inquisition, 1478-1820
          Alicaxet, Abdela
          Artistic influence
          Spanish drama, Classical Period, 1500-1700
          Drama criticism
      ab:
        This article presents a literary criticism for the play "Los cautivos de Argel," by Spanish playwright Lope de Vega. The author examines the case of Abdela Alicaxet, a Spanish Muslim who was tried and exiled by the Spanish Inquisition in 1576, which served as a main influence of the work. The representation of the lives of Muslims living in Spain, also known as moriscos, is also explored.
        Este artículo parte de una revision documental del proceso de Abdela Alicaxet, morisco valenciano condenado a la hoguera en 1576 con cargos de apostata y pirata. Seguidamente se analiza como años más tarde Lope de Vega reconstruye este caso inquisitorial en Los cautivos de Argel (1599) con el fin de exponer un acervo de prejuicios, temores y ansiedades sobre la comunidad morisca, y se examinan las estrategias textuales con que la comedia desvincula de Espana a este colectivo para atribuirle una identidad extranjera. De este modo la obra reproduce el registro vulgar de la controversia de los años previos a la expulsion, pero a la vez interviene en ella autorizando un tipo de percepción homogénea y participando en la construcción de una conciencia colectiva de la minoría morisca como alteridad, como extranjería peligrosa y desechable.
      pubtype: Academic Journal
      doctype: Literary Criticism
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    language: Spanish
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