Hemispheric Asymmetry in the Hierarchical Perception of Music and Speech.
The perception of music and speech involves a higher level, cognitive mechanism that allows listeners to form expectations for future music and speech events. This article comprehensively reviews studies on hemispheric differences in the formation of melodic and harmonic expectations in music and se...
| Publicado en: | Psychological Bulletin Vol. 142; no. 11; pp. 1165 - 1179 |
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| Formato: | Artículo |
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American Psychological Association
Nov2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=119182319&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 119182319 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 00332909 PSB jtl: Psychological Bulletin issn: 00332909 maglogo: N pubinfo: dt: Nov2016 vid: 142 iid: 11 pid: 34 pub: American Psychological Association artinfo: ui: 119182319 10.1037/bul0000076 ppf: 1165 ppct: 14 formats: tig: atl: Hemispheric Asymmetry in the Hierarchical Perception of Music and Speech. aug: au: Rosenthal, Matthew A. affil: Augustana College su: Music Speech Sensory perception Tonality Brain function localization sug: subj: Music Speech Sensory perception Tonality Brain function localization keyword: dichotic ELAN ERAN N400 tonality dichotic ELAN ERAN N400 tonality ab: The perception of music and speech involves a higher level, cognitive mechanism that allows listeners to form expectations for future music and speech events. This article comprehensively reviews studies on hemispheric differences in the formation of melodic and harmonic expectations in music and selectively reviews studies on hemispheric differences in the formation of syntactic and semantic expectations in speech. On the basis of this review, it is concluded that the higher level mechanism flexibly lateralizes music processing to either hemisphere depending on the expectation generated by a given musical context. When a context generates in the listener an expectation whose elements are sequentially ordered over time, higher level processing is dominant in the left hemisphere. When a context generates in the listener an expectation whose elements are not sequentially ordered over time, higher level processing is dominant in the right hemisphere. This article concludes with a spreading activation model that describes expectations for music and speech in terms of shared temporal and nontemporal representations. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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