Husserl and Cinematographic Depictive Images: The Conflict between the Actor and the Character.
According to John Brough, we can use Husserl's theory of image consciousness to explain the conflict between the actor and the character in cinematographic depictions in terms of an empirical conflict between the "image object" and the "physical thing." I disagree with him and I shall show that the...
| Publicado en: | Studia Phaenomenologica Vol. 16; pp. 269 - 294 |
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| Formato: | Artículo |
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Zeta Books
2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=119260428&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 119260428 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 15825647 8XIP jtl: Studia Phaenomenologica issn: 15825647 maglogo: N pubinfo: dt: 2016 vid: 16 pid: 71195 pub: Zeta Books artinfo: ui: 119260428 ppf: 269 ppct: 25 formats: fmt: @attributes: type: P size: 1.3MB tig: atl: Husserl and Cinematographic Depictive Images: The Conflict between the Actor and the Character. aug: au: Mion, Regina-Nino affil: Istanbul Technical University su: Cinematography Casting (Motion pictures) Consciousness in literature Brough, John Motion picture actors & actresses sug: subj: Cinematography Casting (Motion pictures) Consciousness in literature Brough, John Motion picture actors & actresses keyword: conflict depictive image consciousness film Husserl image subject ab: According to John Brough, we can use Husserl's theory of image consciousness to explain the conflict between the actor and the character in cinematographic depictions in terms of an empirical conflict between the "image object" and the "physical thing." I disagree with him and I shall show that the conflict between the actor and the character can only be explained in terms of a non-empirical conflict between two "image subjects." The empirical conflict that concerns the subject is between how the actor or the character appears in image consciousness and how it appears or would appear in perception, that is, between the "image subject" and the "subject as it appears in perception." pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Studia Phaenomenologica is the property of Zeta Books and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Studia Phaenomenologica holder: Zeta Books dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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