Cinema Consciousness: Elements of a Husserlian Approach to Film Image.
By drawing on Husserl's manuscripts on Phantasy, Image Consciousness and Memory, this paper aims to shed light on some of the primary concepts defining his notion of image-such as "belief," "presentification" (Vergegenwärtigung) and perzeptive Phantasie-and endeavours to show how such concepts could...
| Publicado en: | Studia Phaenomenologica Vol. 16; pp. 295 - 325 |
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| Formato: | Artículo |
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Zeta Books
2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=119260429&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 119260429 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 15825647 8XIP jtl: Studia Phaenomenologica issn: 15825647 maglogo: N pubinfo: dt: 2016 vid: 16 pid: 71195 pub: Zeta Books artinfo: ui: 119260429 ppf: 295 ppct: 30 formats: fmt: @attributes: type: P size: 1.6MB tig: atl: Cinema Consciousness: Elements of a Husserlian Approach to Film Image. aug: au: Rozzoni, Claudio affil: New University of Lisbon su: Fantasy films Filmmaking Style (Motion pictures) Consciousness in literature Fantasy in literature Belief & doubt in literature sug: subj: Fantasy films Filmmaking Style (Motion pictures) Consciousness in literature Fantasy in literature Belief & doubt in literature keyword: belief image perceptio phantasy reality ab: By drawing on Husserl's manuscripts on Phantasy, Image Consciousness and Memory, this paper aims to shed light on some of the primary concepts defining his notion of image-such as "belief," "presentification" (Vergegenwärtigung) and perzeptive Phantasie-and endeavours to show how such concepts could be profitably developed for the sake of a phenomenological description of film image. More in particular, these analyses aim to give a phenomenological account of the distinction between positing film images, presupposing a claim to reality-for example the ones we experience in a documentary attitude-and quasi-positing film images involved in artistic creation. The latter, despite their photographic relation to reality, are capable of giving rise to filmic "image-worlds" having intersubjective existence. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Studia Phaenomenologica is the property of Zeta Books and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Studia Phaenomenologica holder: Zeta Books dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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