Re-Reading the Portrait and the Archive's Social Memory.
This article examines how Amerindians participate agentially in a circuit of contagious experience as portrait subjects of settler artists and photographers like Benjamin West, George Catlin, E. S. Curtis, and others. Embodiment in a portrait is a dialogical and iterative bridge that enables the sub...
| Publicado en: | Canadian Review of American Studies Vol. 46; no. 3; pp. 311 - 339 |
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| Formato: | Artículo |
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University of Toronto Press
2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=119586503&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 119586503 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00077720 CRA jtl: Canadian Review of American Studies issn: 00077720 maglogo: Y pubinfo: dt: 2016 vid: 46 iid: 3 pid: 678 pub: University of Toronto Press artinfo: ui: 119586503 10.3138/cras.2015.012 ppf: 311 ppct: 28 formats: fmt: @attributes: type: P size: 1.3MB tig: atl: Re-Reading the Portrait and the Archive's Social Memory. aug: au: Paakspuu, Kalli affil: York University su: Indigenous peoples of the Americas in art Portraits American art Native American history Catlin, George, 1796-1872 West, Benjamin, 1738-1820 Curtis, Edward S., 1868-1952 History United States sug: subj: United States Indigenous peoples of the Americas in art Portraits American art Native American history Catlin, George, 1796-1872 West, Benjamin, 1738-1820 Curtis, Edward S., 1868-1952 History keyword: archive counter-narrative memory Portrait contre-récit mémoire ab: This article examines how Amerindians participate agentially in a circuit of contagious experience as portrait subjects of settler artists and photographers like Benjamin West, George Catlin, E. S. Curtis, and others. Embodiment in a portrait is a dialogical and iterative bridge that enables the subject to contextualize an address to the home community through religion, kinship, or culture. Cet article s'intéresse à la participation agentielle des Amérindiens à un circuit d'expériences contagieuses, en tant que sujets de portraits réalisés par des colons artistes et photographes comme Benjamin West, George Catlin et E. S. Curtis, entre autres. La personnification dans un portrait sert de pont dialogique et itératif, en permettant au sujet de contextualiser un discours à sa communauté d'origine par l'intermédiaire de la religion, de la parenté ou de la culture. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Canadian Review of American Studies is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Canadian Review of American Studies holder: University of Toronto Press dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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