The Poem Sequence before Early Modern Eyes: Printing Conventions and Notions of the Genre, Italy, 1450-1650.
An examination of incunabula and early printed editions of Petrarch's manuscript of his poem sequence, Il Canzoniere, reveals an increasing dependence on critical apparatus that privileged individual sonnets over a continuous mode of reading. A long history of layouts prioritising exegesis may have...
| Publicado en: | Parergon Vol. 33; no. 1; pp. 113 - 131 |
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| Formato: | Artículo |
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Australian & New Zealand Association for Medieval & Early Modern Studies
2016
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| Acceso en línea: | Ver este registro en EBSCOhost |