Listening to Listening Machines.
"The tape recorder . . . creates above all new conditions of observations," Pierre Schaeffer writes. This article picks up the theme of the link between listening and technology and asks how contemporary sound artworks reflect the relation between technology and perception. It suggests that many con...
| Publicado en: | Leonardo Music Journal Vol. 26; no. 1; pp. 48 - 53 |
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| Autor principal: | |
| Formato: | Artículo |
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MIT Press
Dec2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=119941319&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 119941319 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2016 vid: 26 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 119941319 10.1162/LMJ_a_00971 ppf: 48 ppct: 5 formats: fmt: @attributes: type: P size: 2.1MB tig: atl: Listening to Listening Machines. aug: au: VANDS#8709;, A. affil: School for Communication and Culture, Langelandsgade 137, Building 1580, 8000, Aarhus C, Denmark su: Schaeffer, Pierre, 1910-1995 Magnetic recorders & recording Listening Digital technology Microphones sug: subj: Schaeffer, Pierre, 1910-1995 Magnetic recorders & recording Listening Digital technology Microphones ab: "The tape recorder . . . creates above all new conditions of observations," Pierre Schaeffer writes. This article picks up the theme of the link between listening and technology and asks how contemporary sound artworks reflect the relation between technology and perception. It suggests that many contemporary sound artworks explore the way digital culture conditions our listening acts. Based on a tentative analysis including works by Mihara et al., Zorio, Ikeda and Skj#8709;dt, the article argues that art lets us experience not only sound but also technological mediation, providing insight into how in the current digital culture we are constantly sharing our perception of the environment with nonhuman listening machines. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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