Pirating Pound: Drafts & Fragmentsin 1960s Mimeograph Culture.
Ezra Pound's Drafts & Fragments of Cantos CX-CXVII, the final volume of his Cantos, first appeared as a 1967 piracy, mimeographed and staple-bound by Ed Sanders's Fuck You Press. The piracy elicited two authorized versions: a commercial edition by New Directions (1968) and a hand-printed Stone Wall...
| Publicado en: | Journal of Modern Literature Vol. 40; no. 1; pp. 88 - 109 |
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| Formato: | Artículo |
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Indiana University Press
Fall2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=120155355&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 120155355 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 0022281X JML jtl: Journal of Modern Literature issn: 0022281X maglogo: N pubinfo: dt: Fall2016 vid: 40 iid: 1 pid: 211 pub: Indiana University Press artinfo: ui: 120155355 10.2979/jmodelite.40.1.05 ppf: 88 ppct: 21 formats: fmt: @attributes: type: P size: 1MB tig: atl: Pirating Pound: Drafts & Fragmentsin 1960s Mimeograph Culture. aug: su: Mimeograph Pound, Ezra, 1885-1972 Piracy (Copyright) Literature publishing Experimental poetry sug: subj: Mimeograph Pound, Ezra, 1885-1972 Piracy (Copyright) Literature publishing Experimental poetry keyword: American poetry Ed Sanders Ezra Pound print culture ab: Ezra Pound's Drafts & Fragments of Cantos CX-CXVII, the final volume of his Cantos, first appeared as a 1967 piracy, mimeographed and staple-bound by Ed Sanders's Fuck You Press. The piracy elicited two authorized versions: a commercial edition by New Directions (1968) and a hand-printed Stone Wall Press edition (1968). While the story of the piracy is well known, Sanders's version of the text has received scant attention from critics, who tend to dismiss it as illegitimate. However, each of these three versions offers its own way of imagining Drafts & Fragmentsin relation to the market and the canon. In particular, the bibliographic details of the piracy situate Pound in the 1960s mimeograph revolution, offering insight into the ways that the next generation of experimental poets reconfigured and responded to modernism - not only through poetics, but through the dynamics of print production. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Modern Literature is the property of Indiana University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Modern Literature holder: Indiana University Press dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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