Political Acts and Political Acting: Roman Gesture and Julius Caesar.

The article examines the manipulative power of gesture in the context of the play "Julius Caesar," by William Shakespeare. Topics covered include the connection between the gesture of hand-shaking with the quality of constancy, ways rhetorical gestures is used to convince a crowd of people and the c...

Descripción completa

Detalles Bibliográficos
Publicado en:Early Modern Literary Studies pp. 1 - 25
Autor principal: Thomas, Miranda Fay
Formato: Artículo
Publicado: Early Modern Literary Studies 2016
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=120429193&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 120429193
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        12012459
        EGV
      jtl: Early Modern Literary Studies
      issn: 12012459
      maglogo: N
    pubinfo:
      dt: 2016
      pid: 9042
      pub: Early Modern Literary Studies
    artinfo:
      ui: 120429193
      ppf: 1
      ppct: 24
      formats:
        fmt:
          @attributes:
            type: T
      tig:
        atl: Political Acts and Political Acting: Roman Gesture and Julius Caesar.
      aug:
        au: Thomas, Miranda Fay
        affil: King's College London
      su:
        Gesture in literature
        Julius Caesar (Play : Shakespeare)
        Shakespeare, William, 1564-1616
        Handshaking
        Early modern English drama
      sug:
        subj:
          Gesture in literature
          Julius Caesar (Play : Shakespeare)
          Shakespeare, William, 1564-1616
          Handshaking
          Early modern English drama
      ab: The article examines the manipulative power of gesture in the context of the play "Julius Caesar," by William Shakespeare. Topics covered include the connection between the gesture of hand-shaking with the quality of constancy, ways rhetorical gestures is used to convince a crowd of people and the connection between Shakespeare's self-conscious theatricality of action with concerns about the performative nature in politics in the play and in the Elizabethan England.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Early Modern Literary Studies is the property of Early Modern Literary Studies and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Early Modern Literary Studies
      holder: Early Modern Literary Studies
      dt:
        @attributes:
          year: 2016
    holdings:
      @attributes:
        islocal: N