‘Hidrunisa Samora’: Invocations of a Dead Political Leader in Maputo Rap.
The first president of Mozambique, Samora Machel, died in 1986 in a suspicious aeroplane crash in South Africa. This article focuses on the invocations of Machel in contemporary Maputo rap in the context of a wave of popular invocations, which were followed a few years later by official endorsements...
| Published in: | Journal of Southern African Studies Vol. 42; no. 6; pp. 1161 - 1178 |
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| Format: | Article |
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Taylor & Francis Ltd
Dec2016
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=120431627&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 120431627 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 03057070 JSF jtl: Journal of Southern African Studies issn: 03057070 maglogo: N pubinfo: dt: Dec2016 vid: 42 iid: 6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 120431627 10.1080/03057070.2016.1253929 ppf: 1161 ppct: 17 formats: fmt: – @attributes: type: T db: hlh ui: 120431627 – @attributes: type: P db: hlh ui: 120431627 tig: atl: ‘Hidrunisa Samora’: Invocations of a Dead Political Leader in Maputo Rap. aug: au: Rantala, Janne affil: University of Eastern Finland su: Machel, Samora, 1933-1986 Popular culture Music & nationalism Collective memory Rap music History of Mozambique Mozambique politics & government sug: subj: Popular culture Music & nationalism Collective memory Rap music History of Mozambique Mozambique politics & government Machel, Samora, 1933-1986 ab: The first president of Mozambique, Samora Machel, died in 1986 in a suspicious aeroplane crash in South Africa. This article focuses on the invocations of Machel in contemporary Maputo rap in the context of a wave of popular invocations, which were followed a few years later by official endorsements of Machel. Through empirical analysis, this article contributes to the debates about Machel’s post-mortem influence in Mozambique and public memory struggles in the region. I aim to examine how and why, with the use of digital technology, Machel’s body and voice have been invoked, read and listened to in the context of field material and thematic interviews. In the rappers’ invocations of Machel, the great moderniser of his time finds a new role as the rappers’ political ancestor and the people’s ally in struggles against present-day injustices. The diversity of styles reveals innovativeness in the context of local spiritual ideas concerning the involvement of the dead in the life of the living. Rappers’ invocation is selective, but different from politicians’ often empty tributes. Machel’s technologically vivified body or spirit is invoked for the empowerment of otherwise marginalised youth. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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