Recursive Audio Cutting.
Algorithmic procedures for the cutting and splicing of audio can be iterated to explore the technique of recursive audio cutting. The author investigates both implicit (intuitive) and explicit (analytic) methodologies applicable either to prerecorded signals or to continuous streams in real time, wi...
| Publicado en: | Leonardo Music Journal Vol. 13; no. 1; pp. 23 - 30 |
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| Autor principal: | |
| Formato: | Artículo |
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MIT Press
Dec2003
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=12124129&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 12124129 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2003 vid: 13 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 12124129 10.1162/096112104322750746 ppf: 23 ppct: 7 formats: fmt: @attributes: type: P size: 1MB tig: atl: Recursive Audio Cutting. aug: au: Collins, Nick su: Sound recordings Music & technology Sound recording & reproducing Recursive functions Music sug: subj: Sound recordings Music & technology Sound recording & reproducing Recursive functions Music ab: Algorithmic procedures for the cutting and splicing of audio can be iterated to explore the technique of recursive audio cutting. The author investigates both implicit (intuitive) and explicit (analytic) methodologies applicable either to prerecorded signals or to continuous streams in real time, with an emphasis upon practical implementation. The techniques can be of immediate use as special effects for audio processing, as well as in deeper explorations of fractal music. This work has grown out of a broader search for new audio cutting procedures. Analysis is also provided of the trends exposed by such routines in relation to the order of recursion employed. An appendix connects this work to the subject of time-map representations, and a glossary is provided for the terminology of cuts employed. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2003 holdings: @attributes: islocal: N |
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