Publishers, authors, and texts: The process of cultural consecration in prize evaluation.
As cultural objects are of subjective quality, the determinants of their consecration as being of lasting value is a common focus of research. Most typically, scholars look to three constituent features of cultural objects: 1) the characteristics of their creators, 2) the statuses of their sponsorin...
| Publicado en: | Poetics Vol. 60; pp. 48 - 62 |
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| Autores principales: | , , |
| Formato: | Artículo |
| Publicado: |
Elsevier B.V.
Feb2017
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=121259500&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 121259500 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 0304422X 3P9 jtl: Poetics issn: 0304422X maglogo: N pubinfo: dt: Feb2017 vid: 60 pid: 1004 pub: Elsevier B.V. artinfo: ui: 121259500 10.1016/j.poetic.2016.10.001 ppf: 48 ppct: 14 formats: tig: atl: Publishers, authors, and texts: The process of cultural consecration in prize evaluation. aug: au: Childress, Clayton Rawlings, Craig M. Moeran, Brian affil: University of Toronto, Canada Northwestern University, United States Copenhagen Business School, Denmark su: Consecration Bourdieu, Pierre, 1930-2002 Disposition (Philosophy) Legitimation (Sociology) British colonies sug: subj: Consecration Bourdieu, Pierre, 1930-2002 Disposition (Philosophy) Legitimation (Sociology) British colonies keyword: Literary field Prizes and awards ab: As cultural objects are of subjective quality, the determinants of their consecration as being of lasting value is a common focus of research. Most typically, scholars look to three constituent features of cultural objects: 1) the characteristics of their creators, 2) the statuses of their sponsoring organizations, and 3) more limitedly, the textual features of the objects themselves. Rather than treating these features as independently assigned, Bourdieu argues they are different manifestations of the same latent positional and dispositional spaces in the field from which new cultural objects emerge. Using a new dataset on the full population of submissions to the Booker Prize for Fiction over nine years (N = 1094), we rely on a suite of characteristics across these three areas of foci to examine the latent positions in the field through which “art” is defined and consecrated. Findings show the consecration process begins with publishers’ nominations, which reflect a relational field of competing positions occupied by different groups under the canopy of the former British Empire. Afterward, juries’ decisions of shortlisters and then winners reveal how consecration emerges through a distancing from England-centered voices, followed by a growing preference for legitimation by the literary establishment, and male over female voices. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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