From anxiety to disidentification: Lara Vapnyar’s Memoirs of a Muse, Irina Reyn’s What Happened to Anna K. , and Anya Ulinich’s Lena Finkle’s Magic Barrel.

This article explores literary influences that manifest in a selection of Russian-Jewish-American novels, specifically Lara Vapnyar’sMemoirs of a Muse(2006), Irina Reyn’sWhat Happened to Anna K.(2008), and Anya Ulinich’sLena Finkle’s Magic Barrel(2014). These texts engage with Russian and Jewish-Ame...

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Publicado en:East European Jewish Affairs Vol. 46; no. 3; pp. 311 - 331
Autor principal: Levantovskaya, Margarita
Formato: Artículo
Publicado: Taylor & Francis Ltd Dec2016
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: From anxiety to disidentification: Lara Vapnyar’s Memoirs of a Muse, Irina Reyn’s What Happened to Anna K. , and Anya Ulinich’s Lena Finkle’s Magic Barrel.
      aug:
        au: Levantovskaya, Margarita
        affil: Department of English, Santa Clara University, Santa Clara, CA, USA
      su:
        Soviet Jews
        United States emigration & immigration
        Reyn, Irina
        Ulinich, Anya
        Vapnyar, Lara
        Disidentification (Psychology)
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        subj:
          Soviet Jews
          United States emigration & immigration
          Reyn, Irina
          Ulinich, Anya
          Vapnyar, Lara
          Disidentification (Psychology)
      keyword:
        Anya Ulinich
        disidentification
        Irina Reyn
        Lara Vapnyar
        literary influences
        Russian-American fiction
        US immigration literature
      ab: This article explores literary influences that manifest in a selection of Russian-Jewish-American novels, specifically Lara Vapnyar’sMemoirs of a Muse(2006), Irina Reyn’sWhat Happened to Anna K.(2008), and Anya Ulinich’sLena Finkle’s Magic Barrel(2014). These texts engage with Russian and Jewish-American literary predecessors, including Lev Tolstoy, Fyodor Dostoevsky, Philip Roth, and Bernard Malamud. The essay argues that José Esteban Muñoz’s theory of “disidentification” helps deconstruct these conflicted engagements, which depend on both the appropriation and rewriting of literary and social scripts. Specifically, the complex intertextuality of Ulinich’s, Vapnyar’s, and Reyn’s novels functions as means of subverting norms surrounding women’s sexuality, Jews’ status in Russian literature, and relations between Russian-Jewish immigrants and their Jewish-American hosts.
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    language: English
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      custom: Copyright of East European Jewish Affairs is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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