The Antipatriarchal Male Monster as Limited (Anti)Hero in Richard K. Morgan's Black Man/Thirteen.

The analysis of gender in science fiction tends to focus on women. Here I focus instead on the gender issues concerning masculinity raised in Black Man/Thirteen, a novel by British writer Richard Morgan. Using the framework of masculinity studies, I argue that whereas Morgan launches a thorough atta...

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Publicado en:Science Fiction Studies Vol. 44; no. 1; pp. 84 - 104
Autor principal: Martín, Sara
Formato: Artículo
Publicado: University of California Press Mar2017
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The Antipatriarchal Male Monster as Limited (Anti)Hero in Richard K. Morgan's Black Man/Thirteen.
      aug:
        au: Martín, Sara
      su:
        Black Man (Book)
        Morgan, Richard, 1940-1999
        Marsalis, Carl
        Women in literature
        Masculinity
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        subj:
          Black Man (Book)
          Morgan, Richard, 1940-1999
          Marsalis, Carl
          Women in literature
          Masculinity
      ab: The analysis of gender in science fiction tends to focus on women. Here I focus instead on the gender issues concerning masculinity raised in Black Man/Thirteen, a novel by British writer Richard Morgan. Using the framework of masculinity studies, I argue that whereas Morgan launches a thorough attack against patriarchal masculinity through his main character, Carl Marsalis, both author and (anti)hero fail to construct an alternative. Morgan uses in his novel the conventions of the detective thriller, a subgenre which usually narrates how an extremely individualistic man solves a particular case without actually correcting social injustice. Morgan characterizes Marsalis in this way, presenting him as the monstrous product of military engineering and complicating this monstrosity by making Carl black. The novel works well as narrative, and the (anti)hero is undoubtedly appealing, while Morgan's discourse is quite solid. Yet a certain dead end is reached in terms of the male writer's use of sf; for there is no speculative undoing of the social ills caused by patriarchy.
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