Training the Picturesque Eye: The Point of Views in Jane Austen’s Persuasion.
A literary criticism of the novel "Persuasion," by Jane Austen, is presented. Topics include the role of first person point of view in the book, the relation of the marginalization of women to the notion of spectatorship in the novel's points of view, and the significance of picturesque scenes in th...
| Publicado en: | Eighteenth Century: Theory & Interpretation Vol. 58; no. 1; pp. 39 - 60 |
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| Autor principal: | |
| Formato: | Literary Criticism |
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University of Pennsylvania Press
Spring2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=121507964&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 121507964 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01935380 B3MC jtl: Eighteenth Century: Theory & Interpretation issn: 01935380 maglogo: N pubinfo: dt: Spring2017 vid: 58 iid: 1 pid: 4636 pub: University of Pennsylvania Press artinfo: ui: 121507964 10.1353/ecy.2017.0002 ppf: 39 ppct: 21 formats: fmt: @attributes: type: P size: 1.3MB tig: atl: Training the Picturesque Eye: The Point of Views in Jane Austen’s Persuasion. aug: au: Tegan, Mary Beth affil: Saint Xavier University. su: Persuasion (Book : Austen) Austen, Jane, 1775-1817 Point of view (Literature) Gilpin, William, 1724-1804 De Bolla, Peter Education of the Eye: Painting, Landscape & Architecture in 18th-Century Britain, The (Book) Women in literature Picturesque, The Eighteenth century sug: subj: Persuasion (Book : Austen) Austen, Jane, 1775-1817 Point of view (Literature) Gilpin, William, 1724-1804 De Bolla, Peter Education of the Eye: Painting, Landscape & Architecture in 18th-Century Britain, The (Book) Women in literature Picturesque, The Eighteenth century ab: A literary criticism of the novel "Persuasion," by Jane Austen, is presented. Topics include the role of first person point of view in the book, the relation of the marginalization of women to the notion of spectatorship in the novel's points of view, and the significance of picturesque scenes in the novel. The ideas of artist William Gilpin and art historian Peter de Bolla, as addressed in his book "The Education of the Eye: Painting, Landscape, and Architecture in Eighteenth-Century Britain," are noted. pubtype: Academic Journal doctype: Literary Criticism src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Eighteenth Century: Theory & Interpretation is the property of University of Pennsylvania Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Eighteenth Century: Theory & Interpretation holder: University of Pennsylvania Press dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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