Modernity in Music Culture of the Independent Lithuania: Reception and Yearning.
Modernity appeared in the Lithuanian art in the first decade of the 20th century. Mikalojus Konstantinas Čiurlionis' ideas do not link Lithuanian music from the point of view of its indispensable national character to the features of the folk music, corresponding to the tendency of the literary and...
| Published in: | Musicology of Lithuania / Lietuvos muzikologija no. 17; pp. 8 - 24 |
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| Format: | Article |
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Lithuanian Academy of Music & Theatre
2016
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=121543557&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 121543557 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13929313 639P jtl: Musicology of Lithuania / Lietuvos muzikologija issn: 13929313 maglogo: N pubinfo: dt: 2016 iid: 17 pid: 43118 pub: Lithuanian Academy of Music & Theatre artinfo: ui: 121543557 ppf: 8 ppct: 16 formats: fmt: @attributes: type: P size: 12.1MB tig: atl: Modernity in Music Culture of the Independent Lithuania: Reception and Yearning. aug: au: BRUVERIS, Jonas su: Modernity in art Lithuanian music Folk music sug: subj: Modernity in art Lithuanian music Folk music keyword: modernity nationalism in art traditionalism meno tautiškumas modernumas tradiciškumas ab: Modernity appeared in the Lithuanian art in the first decade of the 20th century. Mikalojus Konstantinas Čiurlionis' ideas do not link Lithuanian music from the point of view of its indispensable national character to the features of the folk music, corresponding to the tendency of the literary and art criticism to link the national character of works with the personality of the artist, but not with the choice of historic and other topics or subjects of the work. Cultural life of the Independent Lithuania has changed in essence. Professional art institutions have been established, possibilities, paths, and volumes of organization of the cultural life were incomparably increased. Music culture is analysed in the article within the context of the entire artistic life; a certain variability of reception and estimation of modernity in a) European music in general, b) in the Lithuanian culture of art (programmes of concerts, theatre repertoires, etc.), and c) in the creative work of Lithuanian artists. Modernumo apraiškų lietuvių mene pasirodė XX a. pirmame dešimtmetyje. Mikalojaus Konstantino Čiurlionio idėja lietuvių muzikos jos būtino tautiškumo aspektu nesieti su liaudies muzikos savybių panaudojimu atitiko moderniosios literatūros kritikos ir dailėtyros nuostatas meno kūrinio tautiškumą ne sieti su istorinių, krašto gyvenimo ir panašių temų bei siužetų pasirinkimu, o kildinti iš kūrėjo tautinės asmenybės. Atkūrus Lietuvos nepriklausomybę, kultūros gyvenimas pakito iš esmės, {kurtos profesinės meno įstaigos, pasikeitė ir išaugo kultūros gyvenimo organizavimo galimybės, būdai ir apimtys. Straipsnyje muzikos kultūra nagrinėjama meno gyvenimo apskritai kontekstuose. Pastebėtas recepcijos ir vertinimų įvairavimas atsižvelgiant į modernybės pristatymą: a) Europos muzikos kultūroje apskritai, b) Lietuvos kultūroje (koncertų, teatrų repertuaras ir pan.) ir c) lietuvių menininkų kūryboje. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Musicology of Lithuania / Lietuvos muzikologija is the property of Lithuanian Academy of Music & Theatre and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Musicology of Lithuania / Lietuvos muzikologija holder: Lithuanian Academy of Music & Theatre dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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