Putting the fragments (back) together: towards a theorisation of Jewish sampling.
This article argues that there is an elective affinity between the Jewish worldview and sampling. Sampling has a history much longer than its use in hip hop. Here, though, I am concerned with Jewish artists who have used sampling since the 1980s such as Steinski, the Beastie Boys, Edan and SoCalled....
| Publicado en: | Social Identities Vol. 23; no. 3; pp. 310 - 326 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
May2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=121611836&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 121611836 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 13504630 SEN jtl: Social Identities issn: 13504630 maglogo: Y pubinfo: dt: May2017 vid: 23 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 121611836 10.1080/13504630.2016.1186536 ppf: 310 ppct: 16 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1MB tig: atl: Putting the fragments (back) together: towards a theorisation of Jewish sampling. aug: au: Stratton, Jon affil: Independent Scholar, Perth, Australia su: Steinski (Performer) Beastie Boys African Americans Rap music Jewish artists sug: subj: African Americans Rap music Jewish artists Steinski (Performer) Beastie Boys keyword: hip hop Jews John Zorn sampling Steinski hip hop Jews John Zorn sampling Steinski ab: This article argues that there is an elective affinity between the Jewish worldview and sampling. Sampling has a history much longer than its use in hip hop. Here, though, I am concerned with Jewish artists who have used sampling since the 1980s such as Steinski, the Beastie Boys, Edan and SoCalled. These artists have worked within the generic form of hip hop but have created texts that are quite distinct from texts created by African Americans. My list here is by no means definitive but is a function of the artists that I use for illustrative purposes. I suggest that the Jewish worldview, founded on ideas of catastrophe and exile, and of the bringing back together of fragments to form a new cultural whole, has a synergy with sampling which utilises fragments in the service of creating a new text. These reference points are different from the assumptions that underpin African-American uses of hip hop. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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