Marie Jeanne Riccoboni's Poetry: Rescued from the Flames and Piracy.
Marie Jeanne Riccoboni (1713-92) produced poetry and works in other genres, while simultaneously battling piracy and championing her proto-feminist cause. This article recuperates Riccoboni's poetry from silence, while also analyzing her poetry as an unusual collaborative venture between the author...
| Publicado en: | Eighteenth Century Fiction Vol. 29; no. 3; pp. 373 - 398 |
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| Formato: | Artículo |
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University of Toronto Press
Spring2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=122121747&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 122121747 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 08406286 7SD jtl: Eighteenth Century Fiction issn: 08406286 maglogo: N pubinfo: dt: Spring2017 vid: 29 iid: 3 pid: 678 pub: University of Toronto Press artinfo: ui: 122121747 10.3138/ecf.29.3.373 ppf: 373 ppct: 25 formats: fmt: @attributes: type: P size: 1.1MB tig: atl: Marie Jeanne Riccoboni's Poetry: Rescued from the Flames and Piracy. aug: au: Kaplan, Marijn S. affil: Chair and Professor of French at the University of North Texas. Her research focuses on eighteenth-century French women writers, gender studies, cultural studies, epistolary fi ction, and correspondence. su: Riccoboni, Marie-Jeanne Women poets Women authors Poetry (Literary form) Lettres de Fanny Butlerd (Book) Author-publisher relations Humblot, Denis Piracy (Copyright) sug: subj: Riccoboni, Marie-Jeanne Women poets Women authors Poetry (Literary form) Lettres de Fanny Butlerd (Book) Author-publisher relations Humblot, Denis Piracy (Copyright) ab: Marie Jeanne Riccoboni (1713-92) produced poetry and works in other genres, while simultaneously battling piracy and championing her proto-feminist cause. This article recuperates Riccoboni's poetry from silence, while also analyzing her poetry as an unusual collaborative venture between the author and her publisher Humblot. The poems were targeted at defending her reputation and oeuvre: in 1757 another male publisher had pirated her bestselling first novel, Lettres de Fanny Butlerd (1757), and appropriated and exploited her poetic voice by appending poems he fraudulently attributed to her. I disprove this publisher's claims while authenticating Riccoboni's poems of 1760 through a comparison with her early fiction and journalistic essays, un covering, in the fraudulent poems, an androcentric perspective of male supremacy and female inferiority and rediscovering, in the authentic poems, a feminocentric perspective where women are depicted positively and as subjects rather than objects. pubtype: Academic Journal doctype: Article src: R language: French refInfo: copyright: @attributes: flag: Y custom: Copyright of Eighteenth Century Fiction is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Eighteenth Century Fiction holder: University of Toronto Press dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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