Postdramatic methods of adaptation in the age of digital collaborative writing.
The aim of our contribution is to shed light on the artistic process of theatrical adaption from a novel to a theatre script and, eventually, to the stage. Our example comes from contemporary European theatre: the production of Die Brüder Karamasow (The Brothers Karamasow) by Luk Perceval at the Tha...
| Publicado en: | Digital Scholarship in the Humanities Vol. 32; no. 1; pp. 17 - 36 |
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| Autores principales: | , |
| Formato: | Artículo |
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Oxford University Press / USA
Apr2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=122282405&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 122282405 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 2055768X JEO9 jtl: Digital Scholarship in the Humanities issn: 2055768X maglogo: N pubinfo: dt: Apr2017 vid: 32 iid: 1 pid: 622 pub: Oxford University Press / USA artinfo: ui: 122282405 10.1093/llc/fqv054 ppf: 17 ppct: 19 formats: fmt: @attributes: type: P size: 800KB tig: atl: Postdramatic methods of adaptation in the age of digital collaborative writing. aug: au: Crombez, Thomas Cassiers, Edith affil: University of Antwerp, Antwerp University of Antwerp, Antwerp and Vrije Universiteit Brussel, Brussels su: Theater Scripts Screenplays Electronic publications Perceval, Luk sug: subj: Theater Scripts Screenplays Electronic publications Perceval, Luk ab: The aim of our contribution is to shed light on the artistic process of theatrical adaption from a novel to a theatre script and, eventually, to the stage. Our example comes from contemporary European theatre: the production of Die Brüder Karamasow (The Brothers Karamasow) by Luk Perceval at the Thalia Theater in Hamburg, based on Dostoevsky's eponymous novel (2013). We use digital text analysis and visualization to analyze the genesis of an adaptation. Our analysis is mainly based on a large set of different versions of the playtext. We visualize the working process during the nine-month process of adaptation and rehearsal. By automatically calculating and comparing the textual differences between each two subsequent versions, both stages of thorough revision and superficial text changes can be identified. We supplement this analysis with information on the working process given by Perceval himself during a recent interview in Hamburg, and with research on his previous methods of adaptation, using the archives of his original Flemish company Blauwe Maandag Compagnie. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: © 2019 EADH: The European Association for Digital Humanities. item: Digital Scholarship in the Humanities holder: Oxford University Press / USA dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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