Postdigital synchronicity and syntopy: the manipulation of universal codes, and the fully automated avantgarde.
In recent years, the use of new (both linguistic and non-linguistic) literary codes has accelerated due to the global technological intermediations between writers, scientists and artists, and to the increase and diversification of human-machine interactions. The new codes emerging from this new set...
| Publicado en: | Neohelicon Vol. 44; no. 1; pp. 27 - 40 |
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| Formato: | Artículo |
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Springer Nature
Jun2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=122834612&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 122834612 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03244652 OK8 jtl: Neohelicon issn: 03244652 maglogo: N pubinfo: dt: Jun2017 vid: 44 iid: 1 pid: 237 pub: Springer Nature artinfo: ui: 122834612 10.1007/s11059-017-0379-8 ppf: 27 ppct: 13 formats: fmt: @attributes: type: P size: 387KB tig: atl: Postdigital synchronicity and syntopy: the manipulation of universal codes, and the fully automated avantgarde. aug: au: Sierra-Paredes, Germán affil: Department of Biochemistry and Molecular Biology, School of Medicine , University of Santiago de Compostela, Santiago de Compostela , 15782 Santiago de Compostela Spain su: Human-machine systems Technological innovations Hypertext literature Linguistics Authors sug: subj: Human-machine systems Technological innovations Hypertext literature Linguistics Authors keyword: Automated avantgarde Literature Postdigital Synchronicity Syntopy Universal code ab: In recent years, the use of new (both linguistic and non-linguistic) literary codes has accelerated due to the global technological intermediations between writers, scientists and artists, and to the increase and diversification of human-machine interactions. The new codes emerging from this new set of global interactions are often re-interpretations of literary and artistic methods and devices developed by modern and postmodern avangardist movements; however, they present some new interesting features when expanding through postdigital environments, where a novel universe of data/symbols are manipulated by a variety of human-machine assemblages with different modes of implication in performance-driven collaborative arrangements. This article critically reviews and reflects on literary works entering and exploring this postdigital space by using innovative art/writing codes. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Neohelicon is a copyright of Springer, 2017. All Rights Reserved. item: Neohelicon holder: Springer Nature dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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