Boccaccio Between Naples and Florence, or the Desire to Become Two: Gendering the Author’s Past in the Elegia di Madonna Fiammetta.

The history of the critical reception of the Elegia di Madonna Fiammetta (1343-44) exemplifies the various approaches that have characterized scholarly debates on Boccaccio’s works. In the case of theElegia, Boccaccio’s decision to construct the authorial persona as a woman has led to contrasting, s...

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Detalles Bibliográficos
Publicado en:Italian Studies Vol. 72; no. 2; pp. 205 - 218
Autor principal: Ronchetti, Alessia
Formato: Literary Criticism
Publicado: Taylor & Francis Ltd May2017
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Acceso en línea:Ver este registro en EBSCOhost