Bridging social network analysis and field theory through multidimensional data analysis: The case of the theatrical field.
In this study, the theatre industry is conceived of as a field of cultural production, and analysed in the framework of Bourdieu’s field theory and social network analysis (SNA). The theatrical field is formalized as an affiliation network of companies participating in stage co-productions in Italy’...
| Publicado en: | Poetics Vol. 62; pp. 66 - 81 |
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| Autores principales: | , , |
| Formato: | Artículo |
| Publicado: |
Elsevier B.V.
Jun2017
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=123158507&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 123158507 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 0304422X 3P9 jtl: Poetics issn: 0304422X maglogo: N pubinfo: dt: Jun2017 vid: 62 pid: 1004 pub: Elsevier B.V. artinfo: ui: 123158507 10.1016/j.poetic.2016.12.002 ppf: 66 ppct: 15 formats: tig: atl: Bridging social network analysis and field theory through multidimensional data analysis: The case of the theatrical field. aug: au: Serino, Marco D’Ambrosio, Daniela Ragozini, Giancarlo affil: Department of Political Science, University of Naples Federico II, Via L. Rodinò 28, 80138 Naples, Italy su: Social network analysis Field theory (Social psychology) Multidimensional databases Culture Multiple correspondence analysis (Statistics) sug: subj: Social network analysis Field theory (Social psychology) Multidimensional databases Culture Multiple correspondence analysis (Statistics) keyword: Blockmodeling Bourdieu Field theory Multiple factor analysis Theatre co-productions ab: In this study, the theatre industry is conceived of as a field of cultural production, and analysed in the framework of Bourdieu’s field theory and social network analysis (SNA). The theatrical field is formalized as an affiliation network of companies participating in stage co-productions in Italy’s Campania region, over four theatre seasons. Differently from Bourdieu, but similarly to other works in the sociology of culture and the arts, the study focuses on relational and attribute-based dimensions of theatre production, presenting a novel way to combine field theory and SNA. By adopting the positional approach of SNA through Multiple Correspondence Analysis (MCA), Multiple Factor Analysis (MFA) and blockmodeling for affiliation networks, the study reveals oppositions among companies by reason of their differential partnerships in co-productions, and a combination of hierarchy and segmentation characterizing the network structure of the field. These oppositions also appear in the ‘objective’ social space defined by the attributes of companies and co-productions (positions and position-takings), showing the unequal distribution of symbolic cultural capital among theatre producers and the latter’s inclinations towards different theatrical styles and genres. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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