Early transcontinental film relations: Japan, Germany and the compromises of co-production, 1926–1933.

Kurosawa’sRashōmon (Rashomon, 1950)and its success at the 1951 Venice Film Festival is often regarded as the pivotal point for Japanese film export as well as the point of departure for Japanese film’s full-blown, successful exposure to overseas markets and audiences. Awards subsequently won by othe...

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Publicado en:	Historical Journal of Film, Radio & Television Vol. 37; no. 2; pp. 174 - 203
Autor principal:	Haukamp, Iris
Formato:	Artículo
Publicado:	Taylor & Francis Ltd Jun2017
Materias:	Filmmaking Germany-Japan relations Motion pictures & politics Japanese films Nationalism & motion pictures Interwar Period (1918-1939) Motion picture export & import trade Twentieth century International cooperation
Acceso en línea:	Ver este registro en EBSCOhost