Femslash goggles: Fan vids with commentary by creators.

This gallery opens with a curatorial essay offering a metaphorical theory of vidding as an AR technology and contextualizing femslash fan vids. The selection of works with artist notes includes "Come On" by here's luck (2002); "These Two Arms" by Killa (2006); "Vitalum Vitalis" by hollywoodgrrl and...

Descripción completa

Detalles Bibliográficos
Publicado en:Transformative Works & Cultures Vol. 24; pp. 8 - 9
Autor principal: Russo, Julie Levin
Formato: Artículo
Publicado: Organization for Transformative Works - Karen Hellekson 2017
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=123819881&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 123819881
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        19412258
        6BE4
      jtl: Transformative Works & Cultures
      issn: 19412258
      maglogo: N
    pubinfo:
      dt: 2017
      vid: 24
      pid: 44624
      pub: Organization for Transformative Works - Karen Hellekson
    artinfo:
      ui:
        123819881
        10.3983/twc.2017.1026
      ppf: 8
      ppct: 1
      formats:
        fmt:
          @attributes:
            type: T
      tig:
        atl: Femslash goggles: Fan vids with commentary by creators.
      aug:
        au: Russo, Julie Levin
        affil: The Evergreen State College, Olympia, Washington, United States Multimedia
      su:
        Augmented reality
        Lesbians in mass media
        Fans (Persons)
        Videos -- Social aspects
        Audiences
      sug:
        subj:
          Augmented reality
          Lesbians in mass media
          Fans (Persons)
          Videos -- Social aspects
          Audiences
      keyword:
        Audiovisuality
        Lesbian subtext
        Queer spectatorship
        Queer technologies
        Vidding
      ab: This gallery opens with a curatorial essay offering a metaphorical theory of vidding as an AR technology and contextualizing femslash fan vids. The selection of works with artist notes includes "Come On" by here's luck (2002); "These Two Arms" by Killa (2006); "Vitalum Vitalis" by hollywoodgrrl and ohvienna (2014); "Past the Feeling" by Anoel (2013); "Lightning Field" by bradcpu (2012); "Gimme Sympathy" by beerbad (2014); "I Do Adore" by kiki_miserychic (2014); "Everybody Wants to Rule the World" by Mithborien (2015); "Hurricane" by Laura Shapiro (2010); "Hands Away" by chaila and beccatoria (2011); "The Coming Out of Quinn Fabray" by jarrow (2011).
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Transformative Works & Cultures is the property of Organization for Transformative Works - Karen Hellekson and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Transformative Works & Cultures
      holder: Organization for Transformative Works - Karen Hellekson
      dt:
        @attributes:
          year: 2017
    holdings:
      @attributes:
        islocal: N