Lucrècia Borja en la premsa espanyola de 1835 a 1875.
In the period of time between 1835 and 1875, the opera (or play) Lucrezia Borgia was always running somewhere in Spain. In this research it has been considered the period of time between its first release in the Iberian Peninsula and the publication of «Lucrecia Borgia, rehabilitada». This text is a...
| Published in: | Scripta no. 9; pp. 324 - 342 |
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| Format: | Article |
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Scripta
jun2017
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=123924707&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 123924707 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 23404841 GD46 jtl: Scripta issn: 23404841 maglogo: N pubinfo: dt: jun2017 iid: 9 pid: 89094 pub: Scripta artinfo: ui: 123924707 10.7203/SCRIPTA.9.10350 ppf: 324 ppct: 18 formats: fmt: @attributes: type: P size: 2.3MB tig: atl: Lucrècia Borja en la premsa espanyola de 1835 a 1875. aug: au: GOMAR, MARC affil: Universitat de València sug: keyword: 19th century Lucrezia Borja newspaper play powerful women dones poderoses drama Huit-cents Lucrècia Borja premsa ab: In the period of time between 1835 and 1875, the opera (or play) Lucrezia Borgia was always running somewhere in Spain. In this research it has been considered the period of time between its first release in the Iberian Peninsula and the publication of «Lucrecia Borgia, rehabilitada». This text is a very long essay about Lucrecia's biography, written by Gregorovius, which was published in the first issue of Revista contemporánea. It needs to be considered that it was usual for journalists in that period of time to reduce, copy and paste texts, which has a multiplier effect. Lucrezia Borgia play reached an extraordinary popularity, and so it began to appear in affairs and politics columns, as well as in theatre and musical reviews columns. The same happened in the nineteenth century to other fictional characters of powerful women. Entre 1835 i 1875 no hi ha mes on el drama o l'òpera Lucrècia Borja no estiga en cartell en alguna part d'Espanya. El periode analitzat comprén des de la seua estrena a la península fins a l'aparició de «Lucrecia Borgia, rehabilitada», un extens article sobre la biografia de Gregorovius en el primer número de la Revista contemporánea. Cal tenir en compte que, a la premsa de l'època és habitual retallar, copiar i enganxar amb el consegüent efecte multiplicador. Lucrècia Borja saltarà aviat de les crítiques teatrals i musicals a la secció de successos o a la crònica política, un mostra de la extraordinària popularitat aconseguida, això sí, des de la infàmia, com ocorrerà amb altres figures femenines poderoses que també són objecte de la ficció del XIX. pubtype: Academic Journal doctype: Article src: R language: Catalan refInfo: copyright: @attributes: flag: Y custom: Copyright of Scripta is the property of Scripta and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Scripta holder: Scripta dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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