Virtual Sound: Examining Glitch and Production.
The arrival of so-called laptop music in the late 1990s also created a distinctively new aesthetic, which utilized the errors and disturbances taking place in digital sound processing. This focus on the glitch became an emblematic sound and signaled a new approach to the relation between the sound a...
| Publicado en: | Contemporary Music Review Vol. 22; no. 4; pp. 45 - 53 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2003
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| Acceso en línea: | Ver este registro en EBSCOhost |