The Object of Performance: Aural Performativity in Contemporary Laptop Music.
The use of the laptop in performance causes various negative responses from the audience, who feel a loss of spectacle and performativity in the action. This occurs as a result of the lack of gesture and visual cues from the performer and the loss of focus from the audience, who have no visual objec...
| Publicado en: | Contemporary Music Review Vol. 22; no. 4; pp. 59 - 66 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2003
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=12407263&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 12407263 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2003 vid: 22 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 12407263 10.1080/0749446032000156955 ppf: 59 ppct: 7 formats: fmt: @attributes: type: P size: 802KB tig: atl: The Object of Performance: Aural Performativity in Contemporary Laptop Music. aug: au: Stuart, Caleb su: Computer music Laptop computers Musical performance Digital audio Performative (Philosophy) Aural history sug: subj: Computer music Laptop computers Musical performance Digital audio Performative (Philosophy) Aural history keyword: aurality contemporary digital audio laptop performativity Pimmon ab: The use of the laptop in performance causes various negative responses from the audience, who feel a loss of spectacle and performativity in the action. This occurs as a result of the lack of gesture and visual cues from the performer and the loss of focus from the audience, who have no visual object to ground their aural experience. A shift in focus from an understanding of the visual spectacle in performance to that of aural performativity is needed. Once this is understood, the audience can approach the performance with a shifted focus and come to new understandings of the aural object and contemporary digital audio. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2003 holdings: @attributes: islocal: N |
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