A comparative study of the subject in Jacques Lacan and Zhuangzi.

Jacques Lacan has creatively grafted Zhuangzi’s concept of the subject on the Western tradition of Logo-centrism. Lacan rewrites the triangle positions of the subject as the Real, the Imaginary, the Symbolic, expresses them in the vocabulary of detective stories, and achieves his scholarly reputatio...

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Publicado en:Asian Philosophy Vol. 27; no. 3; pp. 248 - 263
Autor principal: Wang, Quan
Formato: Artículo
Publicado: Taylor & Francis Ltd Aug2017
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: A comparative study of the subject in Jacques Lacan and Zhuangzi.
      aug:
        au: Wang, Quan
        affil: English Department, Beihang University, Beijing, China
      su:
        Comparative studies
        Lacan, Jacques, 1901-1981
        Zhuangzi, ca. 365 B.C.-ca. 290 B.C.
        Poetics
        Equality
      sug:
        subj:
          Comparative studies
          Lacan, Jacques, 1901-1981
          Zhuangzi, ca. 365 B.C.-ca. 290 B.C.
          Poetics
          Equality
      keyword:
        Jacques Lacan
        the Poetics of Oneness
        the Real
        the Subject
        Zhuangzi
      ab: Jacques Lacan has creatively grafted Zhuangzi’s concept of the subject on the Western tradition of Logo-centrism. Lacan rewrites the triangle positions of the subject as the Real, the Imaginary, the Symbolic, expresses them in the vocabulary of detective stories, and achieves his scholarly reputation. The insufficiency of his theory could be redressed by Zhuangzi’s idea of ‘the poetics of oneness.’ For Zhuangzi, a man can forget his ‘Social I’ and ‘Corporeal I,’ arrive at the phase of ‘the equality of things’ in his symbiotic fusion with the surrounding things. These two thinkers complement each other and enrich our understanding of the subject.
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    language: English
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