Women’s Studies 2.0. Italian Feminist Scholarship in the Digital Age.

The Italian women’s movement of the 1970s was one of the largest and most diverse in Europe. However, after the movement's decline in the late 1970s, scholarly interest in women studies and in the history of second-wave feminism has primarily been upheld through the creation and promotion of women's...

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Publicado en:Women's History Review Vol. 26; no. 5; pp. 692 - 705
Autor principal: Hajek, Andrea
Formato: Artículo
Publicado: Taylor & Francis Ltd Oct2017
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Women’s Studies 2.0. Italian Feminist Scholarship in the Digital Age.
      aug:
        au: Hajek, Andrea
        affil: School of Modern Languages and Cultures, University of Glasgow, Glasgow, UK
      su:
        Feminism
        Digitization of archival materials
        Women's history
        Second-wave feminism
        Historiography of women
        History of feminism
        Historical source material
        Twentieth century
        Intellectual life
        Italy
      sug:
        subj:
          Italy
          Feminism
          Digitization of archival materials
          Women's history
          Second-wave feminism
          Historiography of women
          History of feminism
          Historical source material
          Twentieth century
          Intellectual life
      ab: The Italian women’s movement of the 1970s was one of the largest and most diverse in Europe. However, after the movement's decline in the late 1970s, scholarly interest in women studies and in the history of second-wave feminism has primarily been upheld through the creation and promotion of women's archives, documentary centres and libraries. More recently, new generations of women have engaged in battles for women's rights, debates about gender issues and feminist scholarship, relying increasingly on new media technologies and social media. It is tempting to conclude that the generation gap that so often marks the relationship between different feminist generations is enhanced by such a technological divide. This article, instead, challenges this assumption by studying the case of an information-based organization that was created in the early 1980s by a group of local feminists in the Italian city of Bologna, and which adopted a strongly digital approach to historical scholarship in the early 1990s. What is the impact of a similar, digital approach to women's history on the nature of historical scholarship and the shape of the archive? Can the digital break through academic hierarchies and institutional barriers, and give a voice to those who have long remained outside of official historiography?
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    language: English
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      custom: Copyright of Women's History Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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