“The Brain Is the Prisoner of Thought” : A Machine-Learning Assisted Quantitative Narrative Analysis of Literary Metaphors for Use in Neurocognitive Poetics.

Two main goals of the emerging field ofneurocognitive poeticsare (a) the use of more natural and ecologically valid stimuli, tasks and contexts and (b) providing methods and models allowing to quantify distinctive features of verbal materials used in such tasks and contexts and their effects on read...

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Published in:Metaphor & Symbol Vol. 32; no. 3; pp. 139 - 161
Main Authors: Jacobs, Arthur M., Kinder, Annette
Format: Article
Published: Taylor & Francis Ltd Jul-Sep2017
Subjects:
Online Access:View this record in EBSCOhost
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      dt: Jul-Sep2017
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        10.1080/10926488.2017.1338015
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        atl: “The Brain Is the Prisoner of Thought” : A Machine-Learning Assisted Quantitative Narrative Analysis of Literary Metaphors for Use in Neurocognitive Poetics.
      aug:
        au:
          Jacobs, Arthur M.
          Kinder, Annette
        affil: Freie Universität Berlin
      su:
        Shakespeare, William, 1564-1616
        Thomas, Dylan, 1914-1953
        Metaphor
        Poets
        Narrative inquiry (Research method)
        Machine learning
        Verbal learning
      sug:
        subj:
          Metaphor
          Independent Artists, Writers, and Performers
          Independent writers and authors
          Poets
          Narrative inquiry (Research method)
          Machine learning
          Verbal learning
          Shakespeare, William, 1564-1616
          Thomas, Dylan, 1914-1953
      ab: Two main goals of the emerging field ofneurocognitive poeticsare (a) the use of more natural and ecologically valid stimuli, tasks and contexts and (b) providing methods and models allowing to quantify distinctive features of verbal materials used in such tasks and contexts and their effects on readers responses. A natural key element of poetic language, metaphor, still is understudied insofar as relatively little empirical research looked at literary or poetic metaphors. An exception is Katz et al.’s corpus of 204 literary metaphors by authors such as Shakespeare or Dylan Thomas, for which various rating data are available. We reanalyzed their corpus using a combination of quantitative narrative analysis, latent semantic analysis, and machine learning in order to identify relevant features of the metaphors that influenced the ratings. The combined application of computational tools sheds light on surface and affective-semantic features that co-determine the reception of poetic metaphors and successfully predicted the period of origin (i.e., early vs. late), authorship (e.g., Byron vs. Donne) and goodness ratings of the metaphors. The present results can be used for generating quantitative hypotheses or selecting and matching verbal stimuli in empirical studies of literature and neurocognitive poetics.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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