Parallels and Incongruities between Musical and Verbal Behaviors.
The study of music in behavior analytic accounts constitutes a poorly addressed area of application due to conceptual incongruities in the field and a general lack of common ground between the disciplines of music and behavior analysis. This paper will examine the suitability of Skinner's (1957) ana...
| Publicado en: | Psychological Record Vol. 67; no. 3; pp. 413 - 422 |
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| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
Springer Nature
Sep2017
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=124561882&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 124561882 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 00332933 PSD jtl: Psychological Record issn: 00332933 maglogo: N pubinfo: dt: Sep2017 vid: 67 iid: 3 pid: 237 pub: Springer Nature artinfo: ui: 124561882 10.1007/s40732-017-0221-8 ppf: 413 ppct: 9 formats: fmt: @attributes: type: P size: 357KB tig: atl: Parallels and Incongruities between Musical and Verbal Behaviors. aug: au: Reynolds, Benjamin Hayes, Linda affil: University of Nevada , Reno USA su: Conditioned response Behavior modification Human behavior Behaviorism (Psychology) Verbal behavior Verbal learning Verbal ability Speech pattern sug: subj: Conditioned response Behavior modification Human behavior Behaviorism (Psychology) Verbal behavior Verbal learning Verbal ability Speech pattern keyword: Music theory Pitch discrimination Music theory Pitch discrimination ab: The study of music in behavior analytic accounts constitutes a poorly addressed area of application due to conceptual incongruities in the field and a general lack of common ground between the disciplines of music and behavior analysis. This paper will examine the suitability of Skinner's (1957) analysis of verbal behavior in describing various musical behaviors and propose clarifications of verbal behavior constructs to account for the conceptual similarities and differences between musical and verbal behaviors. The musical concepts of mimicry, relative pitch, and absolute pitch are also discussed from the perspective of a verbal behavior analysis. These are presented as examples of how presumably innate musical abilities remain subject to operant principles of behavior modification and how certain conventions of music may suggest novel functional relations that could expand the existing categorization of operants. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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