Emancipate the Quartertone: The Call to Revolution in Nineteenth-Century Music Theory.
In 1852, the theorist Johanna Kinkel urged musicians to "emancipate the quartertone [for] a new world of sound!" Her call to arms was quickly countered by Wolfgang Heinrich Riehl, who denigrated such "enharmonic" sounds as "effeminate" in contrast to traditional German diatonicism. This debate occur...
| Publicado en: | History of Humanities Vol. 2; no. 2; pp. 327 - 345 |
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| Formato: | Artículo |
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University of Chicago Press
Sep2017
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| Acceso en línea: | Ver este registro en EBSCOhost |