The Subject of Music as Subject of Excess and Emergence: Resonances and Divergences between Slavoj Žižek and Björk Guðmundsdóttir.
In answering the question "who is the subject of music," we argue that it is a subject of excess and emergence, and we rely on the definition and development of these terms by Žižek and Björk. Such a subject is movement and activity; it exceeds the experiences, objects, others and symbolic order tha...
| Publicado en: | International Journal of Žižek Studies Vol. 11; no. 3; pp. 203 - 229 |
|---|---|
| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
International Journal of Zizek Studies
2017
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |