CROSSING BORDERS: TIME, SPACE, AND DISORIENTATION IN NARRATIVE.

In this article I examine the construction of time and space as orientation elements in narratives that recount disorienting experiences. I focus on how narrators articulate orientation and on how listeners engage in interactional work to make sense of narrated events. I argue that orientation manag...

Descripción completa

Detalles Bibliográficos
Publicado en:Narrative Inquiry Vol. 13; no. 2; pp. 367 - 392
Autor principal: De Fina, Anna
Formato: Artículo
Publicado: John Benjamins Publishing Co. 2003
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=12557752&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 12557752
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        13876740
        L8A
      jtl: Narrative Inquiry
      issn: 13876740
      maglogo: N
    pubinfo:
      dt: 2003
      vid: 13
      iid: 2
      pid: 11093
      pub: John Benjamins Publishing Co.
    artinfo:
      ui:
        12557752
        10.1075/ni.13.2.08def
      ppf: 367
      ppct: 25
      formats:
      tig:
        atl: CROSSING BORDERS: TIME, SPACE, AND DISORIENTATION IN NARRATIVE.
      aug:
        au: De Fina, Anna
        affil: Georgetown University, Emerita
      su:
        Oral history
        Storytelling
        Spacetime
        Mental orientation
        Immigrants
      sug:
        subj:
          Oral history
          Storytelling
          Spacetime
          Mental orientation
          Immigrants
      keyword:
        Narrative
        Orientation
        Space
        Time
      ab: In this article I examine the construction of time and space as orientation elements in narratives that recount disorienting experiences. I focus on how narrators articulate orientation and on how listeners engage in interactional work to make sense of narrated events. I argue that orientation management in storytelling illustrates how the use of linguistic resources connects narrators and interlocutors to micro and macro social contexts. I also suggest that consideration of the role played by orientation in different types of narratives has two important methodological consequences: it leads analysts to look critically at received notions about narrative structure, and it opens new paths for the analysis of the multiple links between narratives and social contexts. The phenomena analyzed include vagueness in the provision of orientation details, interactional negotiations over orientation, predominance of space over time orientation in certain narratives or narrative sections, and use of shared conventions for narrating the border crossing experience. The data for the article come from 13 chronicles of the border crossing told during sociolinguistic interviews by undocumented Mexican immigrants to the United States.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      dt:
        @attributes:
          year: 2003
    holdings:
      @attributes:
        islocal: N