Audre Lorde, una memoria plástica para estallar la diferencia.
What name should we give to those narratives that construct knowledge from the exposition of an experience that is both personal and deeply collective? In this text I want to re-read Audre Lorde in the light of the concept of plastic memories, which arises from a triple conjunction between the autob...
| Publicado en: | Nomadías no. 23; pp. 63 - 86 |
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| Autor principal: | |
| Formato: | Artículo |
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Universidad de Chile
jul2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125605162&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 125605162 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07172761 2ELZ jtl: Nomadías issn: 07172761 maglogo: N pubinfo: dt: jul2017 iid: 23 pid: 30789 pub: Universidad de Chile artinfo: ui: 125605162 ppf: 63 ppct: 23 formats: fmt: @attributes: type: P size: 3.7MB tig: atl: Audre Lorde, una memoria plástica para estallar la diferencia. aug: au: Barrientos, Panchiba F. affil: Universidad de Chile sug: keyword: difference experience plastic memories writing Audre Lorde diferencia escritura experiencia memorias plásticas ab: What name should we give to those narratives that construct knowledge from the exposition of an experience that is both personal and deeply collective? In this text I want to re-read Audre Lorde in the light of the concept of plastic memories, which arises from a triple conjunction between the autobiographical writings set up by black and Chicano authors and poets of the 70s and 80s of the 20th century in the United States. Idea of plasticity developed by Catherine Malabou and the concept of figuration articulated by Rosi Braidotti. A plastic memory is capable of blowing the dominant mandates of gender, race and sexuality, highlighting their silences. A plastic memory is a reappropriaΩtion of the negated word, a trembling that crosses the fictional routes of our imaginary, in an attempt to value new ways of saying and thinking what happens beyond the limits of the great lanterns of history. ¿Qué nombre deberíamos darle a esas narraciones que construyen conocimiento desde la exposición de una experiencia que es al mismo tiempo personal y profundamente colectiva? En este texto quiero releer a Audre Lorde a la luz del concepto de memorias plásticas, que surge de una triple conjunción entre las escrituras autobiográficas puestas en marcha por autoras y poetas negras y chicanas de los años 70 y 80 del siglo XX en EEUU, la idea de plasticidad desarrollada por Catherine Malabou y el concepto de figuración articulado por la filósofa Rosi Braidotti. Las memorias plásticas surgen de la mano de aquellas formas de escritura autobiográfica que buscan hacer estallar los mandatos dominantes del género, la raza y la sexualidad, poniendo en evidencia sus silencios. Una memoria plástica es una reapropiación de la palabra desde la que se desenvuelven distintos intentos por valorar historias descorridas de los horizontes normativos. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Nomadías is the property of Universidad de Chile, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Nomadías holder: Universidad de Chile, Facultad de Filosofia y Humanidades dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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