Multimodal Editing and Archival Performance: A Diagrammatic Essay on Transcoding Experimental Literature.
The aim of PO.EX: A Digital Archive of Portuguese Experimental Literature (http://po-ex.net/) is to represent the intermedia and performative textuality of a large corpus of experimental works and practices in an electronic database, including some early instances of digital literature. This article...
| Publicado en: | DHQ: Digital Humanities Quarterly Vol. 8; no. 1; pp. 4 - 5 |
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| Formato: | Artículo |
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Digital Humanities Quarterly
2014
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125675985&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 125675985 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 19384122 77X0 jtl: DHQ: Digital Humanities Quarterly issn: 19384122 maglogo: N pubinfo: dt: 2014 vid: 8 iid: 1 pid: 47240 pub: Digital Humanities Quarterly artinfo: ui: 125675985 ppf: 4 ppct: 1 formats: tig: atl: Multimodal Editing and Archival Performance: A Diagrammatic Essay on Transcoding Experimental Literature. aug: au: Portela, Manuel affil: University of Coimbra su: Transcoding Experimental literature Portuguese literature Editing Archives Digital libraries Hypertext literature sug: subj: Transcoding Experimental literature Portuguese literature Editing Archives Digital libraries Hypertext literature ab: The aim of PO.EX: A Digital Archive of Portuguese Experimental Literature (http://po-ex.net/) is to represent the intermedia and performative textuality of a large corpus of experimental works and practices in an electronic database, including some early instances of digital literature. This article describes the multimodal editing of experimental works in terms of a hypertext rationale, and then demonstrates the performative nature of the remediation, emulation, and recreation involved in digital transcoding and archiving. Preservation, classification, and networked distribution of artifacts are discussed as representational problems within the current algorithmic and database aesthetics in knowledge production. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2014 holdings: @attributes: islocal: N |
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