Utopian envisioning: politics of belonging and the emergence of the first Indian South African and East African novels.

The article examines the deployment utopianism in Ansuyah Singh’sBehold the Earth Mourns[Singh, Ansuyah R. 1960.Behold the Earth Mourns. Durban: Purfleet.] and Bahadur Tejani’Day After Tomorrow[Tejani, Bahadur. 1971.Day After Tomorrow. Nairobi: East African Literature Bureau.] as an anticipatory con...

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Publicado en:Journal of African Cultural Studies Vol. 30; no. 1; pp. 20 - 36
Autor principal: Ocita, James
Formato: Artículo
Publicado: Taylor & Francis Ltd Mar2018
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Acceso en línea:Ver este registro en EBSCOhost
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        10.1080/13696815.2017.1311781
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        atl: Utopian envisioning: politics of belonging and the emergence of the first Indian South African and East African novels.
      aug:
        au: Ocita, James
        affil:
          Department of Literature, Makerere University, Kampala, Uganda
          Department of English, Stellenbosch University, Stellenbosch, South Africa
      su:
        Tejani, Bahadur
        Utopias
        Citizenship
        Social marginality
        Story plots
      sug:
        subj:
          Utopias
          Citizenship
          Social marginality
          Story plots
          Tejani, Bahadur
      keyword:
        Afrofuturism
        Ansuyah R. Singh
        Bahadur Tejani
        belonging
        citizenship
        marginality
        Utopianism
        Afrofuturism
        Ansuyah R. Singh
        Bahadur Tejani
        belonging
        citizenship
        marginality
        Utopianism
      ab: The article examines the deployment utopianism in Ansuyah Singh’sBehold the Earth Mourns[Singh, Ansuyah R. 1960.Behold the Earth Mourns. Durban: Purfleet.] and Bahadur Tejani’Day After Tomorrow[Tejani, Bahadur. 1971.Day After Tomorrow. Nairobi: East African Literature Bureau.] as an anticipatory consciousness, which, in projecting visions of a better world, indicts contemporary realities and structures of domination against which the two narratives situate themselves. Written from national margins, utopianism emerges in the two works as an intercultural site for richer cultural significations and engagements between Africans and Indians, and for projecting visions of racial harmony and national formations that embrace Indians as free citizens of the emerging nation-states. Proceeding from the assumption that the fictive worlds that the two novels project are contiguous with – or even produced by – the horrors of the ‘real’ worlds against which they project themselves, I contend that the novels can be most productively read as products of their time of emergence and their meanings located in the interstice between two distinct sets of tropes – the historical and the utopian.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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