Percussionist-Centred Design for Touchscreen Digital Musical Instruments.
This article describes how percussive interaction informed the design, development, and deployment of a series of touchscreen digital musical instruments for ensembles. Percussion has previously been defined by techniques for exploring and interacting with instruments, rather than by the instruments...
| Publicado en: | Contemporary Music Review Vol. 36; no. 1/2; pp. 64 - 86 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb-Apr2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125745984&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 125745984 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Feb-Apr2017 vid: 36 iid: 1/2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 125745984 10.1080/07494467.2017.1370794 ppf: 64 ppct: 22 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.6MB tig: atl: Percussionist-Centred Design for Touchscreen Digital Musical Instruments. aug: au: Martin, Charles P. su: Electronic musical instruments Percussion instruments Percussion music Musical instruments Mobile apps sug: subj: Electronic musical instruments Percussion instruments Percussion music Musical instruments Mobile apps keyword: Collaborative Development Design Digital Musical Instruments Human–Computer Interaction Human–Computer Interaction Mobile Music Percussion ab: This article describes how percussive interaction informed the design, development, and deployment of a series of touchscreen digital musical instruments for ensembles. Percussion has previously been defined by techniques for exploring and interacting with instruments, rather than by the instruments themselves. Percussionists routinely co-opt unusual objects as instruments or create them from scratch. In this article, this process is used for the iterative design and evaluation of five mobile music apps by percussion ensembles. The groups helped refine the apps from prototype to performance through research rehearsals where they improvised, explored new musical gestures, and collaborated to develop practical performance strategies. As a result, the affordances and limitations of the apps were discovered, as were a vocabulary of percussive touch gestures. This article argues that this percussionist-centred process was an effective method for developing musical apps, and that it could be applied more widely in designing musical computer systems. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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