Expanded Percussion Notation in Recent Works by Cat Hope, Stuart James and Lindsay Vickery.
This paper discusses the percussion notation of Western Australian composers Lindsay Vickery, Stuart James and Cat Hope. Both the compositional and performative aspects of their notational conventions are considered in the diverse approaches they take to the specification of timbre, improvisation, a...
| Published in: | Contemporary Music Review Vol. 36; no. 1/2; pp. 15 - 36 |
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| Main Authors: | , , , |
| Format: | Article |
| Published: |
Taylor & Francis Ltd
Feb-Apr2017
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| Subjects: | |
| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125745986&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 125745986 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Feb-Apr2017 vid: 36 iid: 1/2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 125745986 10.1080/07494467.2017.1371879 ppf: 15 ppct: 21 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1MB tig: atl: Expanded Percussion Notation in Recent Works by Cat Hope, Stuart James and Lindsay Vickery. aug: au: Vickery, Lindsay Devenish, Louise James, Stuart Hope, Cat su: Percussion music Musical notation Vickery, Lindsay Music improvisation Musical composition James, Stuart sug: subj: Percussion music Musical notation Vickery, Lindsay Music improvisation Musical composition James, Stuart keyword: Gestural Notation Musical Co-ordination Notation Percussion Screen Score Tablature ab: This paper discusses the percussion notation of Western Australian composers Lindsay Vickery, Stuart James and Cat Hope. Both the compositional and performative aspects of their notational conventions are considered in the diverse approaches they take to the specification of timbre, improvisation, and ensemble coordination. The design and interpretation of screen-based technologies, tablature gestural approaches and spectrographic notation is explored using Lindsay Vickery’sThe Miracle of the Rose(2015)InterXection(2002) andLyrebird(2014), Cat Hope’sBroken Approach(2014),Sub Aerial(2015), andTone Being(2016) and Stuart James’Kinabuhi | Kamatayon(2015) as case studies. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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