Sound Choreography <> Body Code : Software Deployment and Notational Engagement without Trace.
This paper introduces our collaborative work Sound Choreography <> Body Code (SC<>BC), bringing choreography and computer programming together in live performance. This work connects digital abstraction and bodily movement in a feedback loop, and throws up a range of issues for our individual practi...
| Publicado en: | Contemporary Theatre Review Vol. 27; no. 3; pp. 405 - 411 |
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| Autores principales: | , |
| Formato: | Artículo |
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Taylor & Francis Ltd
Aug2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=126022733&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 126022733 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10486801 7VS jtl: Contemporary Theatre Review issn: 10486801 maglogo: N pubinfo: dt: Aug2017 vid: 27 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 126022733 10.1080/10486801.2017.1343244 ppf: 405 ppct: 6 formats: fmt: – @attributes: type: T – @attributes: type: P size: 271KB tig: atl: Sound Choreography <> Body Code : Software Deployment and Notational Engagement without Trace. aug: au: Sicchio, Kate McLean, Alex su: Choreography Technology in the theater Choreographic collaboration Computer programming Improvisation in the arts sug: subj: Choreography Technology in the theater Choreographic collaboration Computer programming Improvisation in the arts ab: This paper introduces our collaborative work Sound Choreography <> Body Code (SC<>BC), bringing choreography and computer programming together in live performance. This work connects digital abstraction and bodily movement in a feedback loop, and throws up a range of issues for our individual practices (McLean as a live coder and Sicchio as a choreographer) as well as for the growing wider field of technology-infused performance. We will focus on the different roles of notation in this performance, in the light of the three themes of the present special issue: deployment, engagement, and trace. We will begin by briefly reviewing some context before introducing the work, and conclude by directly addressing these themes. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Theatre Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Theatre Review holder: Taylor & Francis Ltd dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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