ОТ ВЕЧНОГО К ВЕЩНОМУ: РЕИФИКАЦИЯ КАК СЕМАНТИЧЕСКОЕ ИЗМЕРЕНИЕ ДИГИТАЛЬНОЙ ПОЭЗИИ
The goal of this paper is to scrutinize how the phenomenon of digital poetry is related to the culture of late capitalism and how reification transforms the semantics of the digital poetry genre. The performed analysis reveals that reification of lyrical discourse is a distinctive feature of digital...
| Published in: | Topos (18150047) no. 1/2; pp. 221 - 225 |
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| Format: | Article |
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European Humanities University
2017
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=126048727&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 126048727 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 18150047 32FG jtl: Topos (18150047) issn: 18150047 maglogo: N pubinfo: dt: 2017 iid: 1/2 pid: 33650 pub: European Humanities University artinfo: ui: 126048727 ppf: 221 ppct: 4 formats: fmt: @attributes: type: P size: 356KB tig: atl: ОТ ВЕЧНОГО К ВЕЩНОМУ: РЕИФИКАЦИЯ КАК СЕМАНТИЧЕСКОЕ ИЗМЕРЕНИЕ ДИГИТАЛЬНОЙ ПОЭЗИИ aug: au: Петрина, Денис sug: keyword: CDA (critical discourse analysis) critical theory digital poetry late capitalism Marxist literary criticism reification ab: The goal of this paper is to scrutinize how the phenomenon of digital poetry is related to the culture of late capitalism and how reification transforms the semantics of the digital poetry genre. The performed analysis reveals that reification of lyrical discourse is a distinctive feature of digital poetry, thus, there is the influence of the culture of late capitalism on the semantics of this poetic genre. Reification as a semantic dimension of digital poetry is characterized by such textual symptoms as alienation, irrationality, dystopia, serialization, simplification, spectacularity, the aestheticization of consumption as well as the dominant role of the political rather than the poetic. Digital poetry is analyzed from the perspective of discursive practices (the digital environment) as well as social practices (the practices symptomatic of late capitalism). Finally, possible counter-practices aimed at overcoming lyrical discourse reification are taken into consideration. pubtype: Academic Journal doctype: Article src: R language: Russian refInfo: copyright: @attributes: flag: Y custom: Copyright of Topos (18150047) is the property of European Humanities University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Topos (18150047) holder: European Humanities University dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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