Alien Feminisms and Cinema's Posthuman Women.

In this essay, I ask how we can chart new feminist epistemologies around the figure of the posthuman woman. To explore how the posthuman female body is situated as a site of ontological and epistemological struggle around feminism, femininity, and subjectivity in contemporary screen culture, I exami...

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Publicado en:Signs: Journal of Women in Culture & Society Vol. 43; no. 2; pp. 379 - 401
Autor principal: Jelača, Dijana
Formato: Artículo
Publicado: University of Chicago Press Winter2018
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Alien Feminisms and Cinema's Posthuman Women.
      aug:
        au: Jelača, Dijana
        affil: Department of Communication and Media Studies, Fordham University
      su:
        Feminism
        Posthumanism
        Humanism
        Anthropocentrism
        Subjectivity
      sug:
        subj:
          Feminism
          Posthumanism
          Humanism
          Anthropocentrism
          Subjectivity
      ab: In this essay, I ask how we can chart new feminist epistemologies around the figure of the posthuman woman. To explore how the posthuman female body is situated as a site of ontological and epistemological struggle around feminism, femininity, and subjectivity in contemporary screen culture, I examine two recent films about alien/cyborg posthuman female entities: Jonathan Glazer’s 2013 <italic>Under the Skin</italic> and Alex Garland’s 2015 <italic>Ex Machina</italic>. Both films illuminate the complex assemblages of subjectivity of the feminine posthuman. Moreover, they explore the sites of circular convergence—rather than fissures—between the human and posthuman form. I discuss how alien feminisms can respond to the new and emerging epistemologies across this nature-(techno)culture continuum without inadvertently upholding humanist anthropocentrism. I conclude that the posthuman condition is not (yet) a postgender condition. Rather, it is a becoming-gendered condition, where traditional gender features stubbornly persist but as a contingent process of perpetual assemblage and undoing rather than of continued stability and fixity. For the posthuman women discussed here, their posthumanness is concealed by the surface layer of skin, which peels off and can be put back on as an unstable barrier between the human and the posthuman, and between surface and depth.
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    language: English
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