Oscillator Pond: Analog Critters in a Digital Pool. An Ambient and Interactive Audio Installation.
Drawing on my current research, I discuss a site-specific project developed as part of an environment art-science program, Atmospheres, whereby a randomized soundscape was introduced into a greenhouse. Organic sounding rhythms and creature-like tones were generated on a restored synthesizer, an ARP...
| Publicado en: | Contemporary Music Review Vol. 36; no. 3; pp. 182 - 202 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Jun2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=126411225&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 126411225 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Jun2017 vid: 36 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 126411225 10.1080/07494467.2017.1395111 ppf: 182 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 3.2MB tig: atl: Oscillator Pond: Analog Critters in a Digital Pool. An Ambient and Interactive Audio Installation. aug: au: Moses, James su: Soundscapes (Auditory environment) Computer software Digital technology Rhythm Stochastic processes sug: subj: Soundscapes (Auditory environment) Computer software Digital technology Rhythm Stochastic processes keyword: Acoustic Ecology Ambient ARP Critters Soundscape Synthesized ab: Drawing on my current research, I discuss a site-specific project developed as part of an environment art-science program, Atmospheres, whereby a randomized soundscape was introduced into a greenhouse. Organic sounding rhythms and creature-like tones were generated on a restored synthesizer, an ARP 2500, made in the 1970s, and were then captured digitally. The critter sounds are triggered with custom software using probability and random processes to create a surreal and unpredictable soundscape that changes through the day. Visitors can interrupt this ‘organic mode’ to hear specific critter sounds and activate some special playback modes. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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