Phonological and Musical Loops in Live Coding Performance Practice.
This paper explores how various phenomena of working memory are actively drawn on and can provide useful insights into live coding performance practice. The author argues that the phonological coding processes that cognitive psychologists believe underscore how auditory information is retained and r...
| Publicado en: | Leonardo Music Journal Vol. 27; no. 1; pp. 40 - 45 |
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| Formato: | Artículo |
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MIT Press
Dec2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=126520863&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 126520863 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2017 vid: 27 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 126520863 10.1162/LMJ_a_01007 ppf: 40 ppct: 5 formats: fmt: @attributes: type: P size: 2.6MB tig: atl: Phonological and Musical Loops in Live Coding Performance Practice. aug: au: KIM-BOYLE, DAVID affil: Sydney Conservatorium of Music, University of Sydney, 1 Conservatorium Road, Sydney, NSW 2000, Australia su: Phonological decoding Musical performance Auditory perception Short-term memory Cognitive ability sug: subj: Phonological decoding Musical performance Auditory perception Short-term memory Cognitive ability ab: This paper explores how various phenomena of working memory are actively drawn on and can provide useful insights into live coding performance practice. The author argues that the phonological coding processes that cognitive psychologists believe underscore how auditory information is retained and recollected in working memory can enrich our understanding of live coding performance practice, where loopbased processes often provide key structural units. The author suggests that such practice finds structural coherence and aesthetic value through a real-time play with the effects of working memory. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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