On Editing Ottoman Turkish tekke Poetry.
Eşrefoğlu Rumi (d. 875/1469?) and Ümmî Kemal (d. 880/1475?) iire prominent practitioners of Ottoman Sufi (tekke) poetry--literature that emerged from the environment of Anatolian Sufi orders. The parallel histories of the transmission of their two divans help clarify details of the poets' lives. Con...
| Published in: | Journal of the American Oriental Society Vol. 137; no. 3; pp. 567 - 585 |
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| Format: | Article |
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American Society for Premodern Asia (ASPA)
Jul-Sep2017
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=126707350&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 126707350 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: JOY jtl: Journal of the American Oriental Society maglogo: N pubinfo: dt: Jul-Sep2017 vid: 137 iid: 3 pid: 1463 pub: American Society for Premodern Asia (ASPA) artinfo: ui: 126707350 10.7817/jameroriesoci.137.3.0567 ppf: 567 ppct: 18 formats: fmt: @attributes: type: P size: 194KB tig: atl: On Editing Ottoman Turkish tekke Poetry. aug: au: Hickman, Bill su: Rumi, Eshrefoglu Literary criticism Poetry (Literary form) Poetry of places Ottoman Empire Turkish Sufi poetry Turkish poetry Nineteenth century sug: subj: Rumi, Eshrefoglu Literary criticism Poetry (Literary form) Poetry of places Ottoman Empire Turkish Sufi poetry Turkish poetry Nineteenth century ab: Eşrefoğlu Rumi (d. 875/1469?) and Ümmî Kemal (d. 880/1475?) iire prominent practitioners of Ottoman Sufi (tekke) poetry--literature that emerged from the environment of Anatolian Sufi orders. The parallel histories of the transmission of their two divans help clarify details of the poets' lives. Conversely, biographical facts may help explain details and oddities of those transmission histories, which themselves may also illuminate features of the late fifteenth- and sixteenth-century Ottoman religious and political landscape of increasing theological rigidity in the face of Safavid pressure and probable persecution of those deemed beyond the pale, features that are still poorly understood. In light of a recent essay by Walter Andrews on prevailing editing practices in Ottoman literature, I offer a critique of the recent handling of both divans. After noting previously unrecognized copies of each, I also make suggestions for further study of their poems. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of the American Oriental Society is the property of American Society for Premodern Asia (ASPA) and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of the American Oriental Society holder: American Society for Premodern Asia (ASPA) dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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