‘The Blast Has Arrived at the Body’: Wolfgang Rihm’s Creative Explosion of 1981.
The period from 1979 to 1982 was a key developmental time for Rihm. Starting from his time in Rome as recipient of the German Art Academy Fellowship, he commenced a series of works some of which were not completed until a year or more after his return from Italy. At this point, he began to articulat...
| Publicado en: | Contemporary Music Review Vol. 36; no. 4; pp. 237 - 279 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Aug2017
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=126891324&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 126891324 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Aug2017 vid: 36 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 126891324 10.1080/07494467.2017.1399669 ppf: 237 ppct: 42 formats: fmt: – @attributes: type: T – @attributes: type: P size: 2MB tig: atl: ‘The Blast Has Arrived at the Body’: Wolfgang Rihm’s Creative Explosion of 1981. aug: au: McGregor, Richard E. su: Rihm, Wolfgang, 1952-2024 Composers Graphic arts Sculpture String quartets Artaud, Antonin, 1896-1948 sug: subj: Rihm, Wolfgang, 1952-2024 Composers Graphic arts Sculpture String quartets Artaud, Antonin, 1896-1948 keyword: 1981 Artaud Compositional Development Kocherscheidt Rainer Sketches Tutuguri Wolfgang Rihm ab: The period from 1979 to 1982 was a key developmental time for Rihm. Starting from his time in Rome as recipient of the German Art Academy Fellowship, he commenced a series of works some of which were not completed until a year or more after his return from Italy. At this point, he began to articulate for himself a relationship with graphic arts and sculpture on the one hand, and poetical texts, often by schizophrenics, on the other. By the beginning of 1981, he was ready to express himself in written words on the relationship between music and painting, or more precisely,hisrelationship with the other art forms. His continuing association with the painter Kocherscheidt and his ‘discovery’ of Arnulf Rainer and Antonin Artaud gave him an impetus which propelled compositional developments in that year. Some works which had been started, such as the fourth string quartet, were completed but, ultimately dismissed as, in effect, belonging to his compositional past, rather than looking to the future. The works which followed the string quartet, and especiallyTutuguri(andTutuguriVI in particular), were pivotal in his developing compositional processes and aesthetic, but, the path forward was not always straightforward. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
|---|