Black Lives/White Backgrounds: Claudia Rankine’s Citizen: An American Lyric and Critical Race Theory.

How do you criticise a hierarchical racial formation that is rendered nearly invisible by its colour (white) and positioning (background) in the contemporary, so-called colour-blind or post-racial US? The reading of Claudia Rankine’sCitizen: An American Lyricthat this essay will undertake seeks to o...

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Publicado en:Comparative American Studies Vol. 15; no. 1/2; pp. 54 - 72
Autor principal: Adams, Bella
Formato: Artículo
Publicado: Taylor & Francis Ltd Mar-Jun2017
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Black Lives/White Backgrounds: Claudia Rankine’s Citizen: An American Lyric and Critical Race Theory.
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        au: Adams, Bella
        affil: English, Liverpool John Moores University, Liverpool, UK
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        Citizen: An American Lyric (Book)
        Rankine, Claudia, 1963-
        Anti-racism
        Critical race theory
        Black Lives Matter movement
        History
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          Citizen: An American Lyric (Book)
          Rankine, Claudia, 1963-
          Anti-racism
          Critical race theory
          Black Lives Matter movement
          History
      keyword:
        anti-racism
        Black Lives Matter
        blackness
        Claudia Rankine
        colour-blindness
        Critical Race Theory
        poetry
        racial justice
        Trayvon Martin
        whiteness
      ab: How do you criticise a hierarchical racial formation that is rendered nearly invisible by its colour (white) and positioning (background) in the contemporary, so-called colour-blind or post-racial US? The reading of Claudia Rankine’sCitizen: An American Lyricthat this essay will undertake seeks to offer a response to this question utilising some key insights from Critical Race Theory (CRT). As they are understood here, both CRT andCitizenoffer counter-stories by ‘call[ing] out’ to what you ‘don’t see’, specifically to America’s racial formations so as to promote colour-consciousness and an anti-racist critique. Beginning with a discussion of the relationship between literary and legal narratives, followed by two sections on Rankine’s rhetorical strategies, this essay ends by closely reading her texts about Trayvon Martin, who was murdered on 26 February 2012.
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